|
|
|
|
|
ÊÊÊÊÊÊÊÊÊÊÊ NANCY DAVENPORT
ÊÊÊÊÊÊÊÊÊÊÊ 1965ÊÊÊ Born Vancouver, British Columbia, Canada
ÊÊÊÊÊÊÊÊÊÊÊ 1989ÊÊÊ Bachelor of Fine Arts, York University, Toronto, Canada
ÊÊÊÊÊÊÊÊÊÊÊ 1991ÊÊÊ Master of Fine Arts, School of the Visual Arts, New York
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Lives and works in New York City
ÊÊÊÊÊÊÊÊÊÊÊ ONE-PERSON EXHIBITIONS
ÊÊÊÊÊÊÊÊÊÊÊ 2008ÊÊÊÊ Nicole Klagsbrun Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊ 2008ÊÊÊÊ DHC/Art Fondation pour lÕart Contemporain, MontrŽal
ÊÊÊÊÊÊÊÊÊÊÊ 2005ÊÊÊÊ Gardner Art Center, University of Sussex, UK
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Mead Gallery, University of Warwick, Coventry, England
ÊÊÊÊÊÊÊÊÊÊÊ 2004ÊÊÊÊ Nicole Klagsbrun Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ MIT List Arts Center -Media Wall, Cambridge, Mass.
ÊÊÊÊÊÊÊÊÊÊÊ 2002ÊÊÊÊ Photo & Contemporary, Turin, Italy
ÊÊÊÊÊÊÊÊÊÊÊ 2001ÊÊÊÊ Nicole Klagsbrun Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊ 2000ÊÊÊÊ The Floating Gallery, Winnipeg, Canada
ÊÊÊÊÊÊÊÊÊÊÊ 1999ÊÊÊÊ Corchoran Gallery, NJCU
ÊÊÊÊÊÊÊÊÊÊÊ 1998ÊÊÊÊ Mercer Union, Toronto, Canada
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ OR Gallery, Vancouver, Canada
ÊÊÊÊÊÊÊÊÊÊÊ 1997ÊÊÊÊ La Centrale, MontrŽal, Canada
ÊÊÊÊÊÊÊÊÊÊÊ 1996ÊÊÊÊ Linda Kirkland Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊ 1995ÊÊÊÊ Nicole Klagsbrun Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊ 1994ÊÊÊÊ Gracie Mansion Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊ 1992ÊÊÊÊ YYZ ArtistÕs Outlet, Toronto, Canada
ÊÊÊÊÊÊÊÊÊÊÊ SELECTED GROUP EXHIBITIONSÊÊÊÊÊÊ (*catalogue)
ÊÊÊÊÊÊÊÊÊÊÊ 2008Ê *Ê Liverpool Biennial International 08, Liverpool, UK
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Revolution I Love You, Trafo Gallery, Budapest travelling to IPS Birmingham, UK
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ *Ê ReConstitutions, DHC/Art Fondation pour lÕart Contemporain, MontrŽal, Canada
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ *Ê NotÊ Quite How I Remember It, The Power Plant, Toronto, Canada
ÊÊÊÊÊÊÊÊÊÊÊ 2007Ê *Ê 10th International Istanbul Biennial, Istanbul, Turkey
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Stutter and Twitch, CCS Bard Galleries, Bard College, Annanedale-on-Hudson, New York
ÊÊÊÊÊÊÊÊÊÊÊ 2006ÊÊÊÊ The Message is the Medium, Jim Kempner Fine Art, New York, NY
ÊÊÊÊÊÊÊÊÊÊÊ 2005ÊÊÊÊ John Hansard Gallery, University of Southampton, UK
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ The City: Contemporary Views of the Built Environment, Lehman College Art Gallery, Bronx, New York
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Beginning Here: 101 Ways, Visual Arts Gallery, New York, NY
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ *Ê Photography Reborn, Ramapo Col New Jersey, NJ
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ The Freedom Salon, Deitch Projects, New York, NY
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Republican Like Me, Parlour Projects, Brooklyn, NY
ÊÊÊÊÊÊÊÊÊÊÊ 2003Ê * Strangers :The First ICP Triennial of Photography and Video,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ International Center of Photography, New York, NY
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ * Urban Dramas, de Singel International Kunstcentrum, Antwerp
ÊÊÊÊÊÊÊÊÊÊÊ 2002ÊÊÊÊ Alter Ego, MusŽe dÕHistoire de la Ville de Luxembourg, Luxembourg
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ *Ê 25th Bienal de Sao Paulo: Metropolitan Iconographies, Sao Paulo, Brazil
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ travels to PROA Fundacion, Buenos Aires, Argentina
ÊÊÊÊÊÊÊÊÊÊÊ 2001ÊÊÊÊ Lifelike, Rockford Art Museum, Rockford, Illinois
ÊÊÊÊÊÊÊÊÊÊÊ 2000ÊÊÊÊ ItÕs a Cruel World, White Columns, New York
ÊÊÊÊÊÊÊÊÊÊÊ 1998ÊÊÊÊ Picture/Image/World, Lemmerman Gallery, New Jersey
ÊÊÊÊÊÊÊÊÊÊÊ 1997ÊÊÊÊ Black and White, Linda Kirkland Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊ 1996ÊÊÊÊ Making Pictures Ð Women and Photography, 1975 Ð Now,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Nicole Klagsbrun Gallery, New York, travels to Bernard Toale Gallery, Boston, MA, 1997
ÊÊÊÊÊÊÊÊÊÊÊ 1995ÊÊÊÊ Selections from 1993 Ð 1995, Nicole Klagsbrun Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Desiring Authors, Enveloping Myths, Bernard Toale Gallery, Boston, MA
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Art History and Its Discontents, Hobart Smith College Gallery, Geneva,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Revealing Desire, Cristinerose Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊ 1994ÊÊÊÊ 4 Person show, S.L. Simpson Gallery, Toronto Canada
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ More than Real, Gallery 400, University of Illinois at Chicago,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Dreaming of You, Garnet Press Gallery, Toronto, Canada
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Power, Pleasure, Pain: Contemporary Women Artists and the Female Body, Fogg Museum, Harvard University,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Cambridge, MA
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Nicole Klagsbrun Gallery, New York (3 person show with Melissa Gwyn Miller and Hilla Lulu Lin)
ÊÊÊÊÊÊÊÊÊÊÊ 1993ÊÊÊ All the WorldÕs a Stage, Marsh Fogel Gallery, East Hampton, NY
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Smash Mega Hits, Garnet Press Gallery, Toronto, Canada
ÊÊÊÊÊÊÊÊÊÊÊ 1992ÊÊÊÊ The Auto Erotic Object, Hunter College Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Between the Sheets, P.P.O.W. Gallery, New York
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Nature Lover, Windows on White Street, 51 White Street, New York, NY
ÊÊÊÊÊÊÊÊÊÊÊ BIBLIOGRAPHY
ÊÊÊÊÊÊÊÊÊÊÊ 2007ÊÊÊ Goto, Shigeo, Ò11 Remarkable Photographers in NYCÓ, Japanese Esquire, February
ÊÊÊÊÊÊÊÊÊÊÊ 2006ÊÊÊ Sundell, Margaret, ÒVitamin Ph: New Perspectives in PhotographyÓ, Phaidon Press, pp. 74-75
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Pollack, Barbara, ÒOn ViewÓ, Photograph, September/October 2006
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Interview, ÒLesson Plans: Discussion between Nancy Davenport &
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Barbara PollackÓ, Atlantica 41-42, pp 4-21
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Griffin, Jonathan, ÒCampus,Ó Frieze, February
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Herbert, Martin, ÒCampusÓ, Art Monthly, November
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Smith, Adrian, ÒSpirit of Õ68 Alive in University PerspectivesÓ, The Times Higher, November 14
ÊÊÊÊÊÊÊÊÊÊÊ 2005ÊÊÊÊ Baker, George, ÒPhotographyÕs Expanded FieldÓ, OCTOBER, issue 114,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ pp120-140 and back cover
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Lipkin, Jonathan, ÒPhotography Reborn: Image Making in the Digital EraÓ,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Harry N. Abrahms Inc, pp101-102
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Haus, Mary, ÒStruck by Lightning,Ó Artnews, February
ÊÊÊÊÊÊÊÊÊÊÊ 2004ÊÊÊÊ Zeaman, John, ÒWhat you See is Not Necessarily What you Get,Ó The Record, November 28
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Pollack, Barbara, Time Out New York, Art Listings: ÔCampusÕ,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ March 18 Ð 25,. p.72
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Ritchin, Fred, ÒStrangers: The First ICP TriennialÓ, Aperture, Spring, pp. 4-6.
ÊÊÊÊÊÊÊÊÊÊÊ 2003ÊÊÊÊ Pollack, Barbara, ÒEveryone Has an Ennial; Now ItÕs PhotographyÕs TurnÓ,The New York Times,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ September 7.
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Gambari, Olga, ÒIn Mostra: Nancy Davenport/ Photo&Contemporary, Torino,Ó
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Flash Art, December-January 2003, page 125. Italian Edition.
ÊÊÊÊÊÊÊÊÊÊÊ 2002ÊÊÊÊ Sundell, Margaret, Time Out New York, Art Listings: ÔPC RevolutionÕ, December 5 Ð 12, p.68
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Sundell, Margaret, ÒA Conversation with Nancy DavenportÓ Documents,Issue 22, Fall 2002
ÊÊÊÊÊÊÊÊÊÊÊ 2002ÊÊÊÊ Graham-Dixon, Andrew, ÒArt: After the FallÓ Vogue (British Edition), September, p. 167 Ð 172.
ÊÊÊÊÊÊÊÊÊÊÊ ÔÊÊÊÊÊÊÊÊÊÊÊ ConcertÕ by Nancy Davenport, ÒFailureÓ issue of Cabinet, Summer, p. 122.
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Groothuis, Marjan, ÒMetropolitan icons at PROAÓ Buenos Aires Herald, July 14, p.11
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Rohter, Larry, ÒA Tilt Toward the Third World at the Sao Paul BiennialÓ, The New York Times, May
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ 27, 2002
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Artist Questionnaire Nancy Davenport, October 100, Spring, pp. 64 - 67.
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Baker, George, ÒOpenings: Nancy DavenportÓ, Artforum, February.
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Volk, Gregory, ÒNancy Davenport at Nicole KlagsbrunÓ, Art in America, January
ÊÊÊÊÊÊÊÊÊÊÊ 2001ÊÊÊÊ Yoshimoto, Midori, ÒToo Perfect a Timing: Collages of Terrorist ImagesÓ, Geijustu Shincho, December
ÊÊÊÊÊÊÊÊÊÊÊ 2001.ÊÊÊ Tomii, Reiko, ÒFrom New YorkÓ, The Shin bijutsu shinbun, November 2001
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Thomas, Kelly Devine, ÒAftershocksÓ ArtNews, November 2001
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Pollack, Barbara, ÒNew York ReviewsÓ, ArtNews, November 2001.
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Lerner, Adam, ÒMoving PicturesÓ, Artforum, November 2001
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Cypriano, Fabio, ÒTerrorismo sera tema na sala de NY na Bienal de SPÓ,Folha de.Paulo, September 8, 2001.
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Stankus, Kristy, ÒArt And LifeÓ, Culture Shock, September 28, 2001
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Vince Aletti, ÒPhoto Realism,Ó Village Voice, September 25, 2001, pg. 74
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Roberta Smith, ÒIn New YorkÕs Galleries, a New Context Seems to Remake the ArtÓ, The New York Times,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ September 19th, 2001
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Ken Johnson, ÒGalleries; ChelseaÓ, The New York Times, September 21
ÊÊÊÊÊÊÊÊÊÊÊ 1999ÊÊÊÊ Kerri Embry, Andreas Kahre, ÒAccident-Prone, Nancy DavenportÓ, Front, May Ð June
ÊÊÊÊÊÊÊÊÊÊÊ 1998ÊÊÊÊ P. Elaine Sharp, ÒRaw SublimeÓ, York University Press, Fall
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ George Baker, ÒMarvelous CatastrophesÓ, catalog essay, Mercer Union
ÊÊÊÊÊÊÊÊÊÊÊ 1997Ê Jennifer Gonzalez, ÒBeauty will be CompulsiveÓ, catalog essay, La Centrale, October
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Tessera, ÒFeminism and Self-HelpÓ, photo spread, V.23, Winter
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Gregory Volk, World Art, No.13, Summer
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Dominique Nahas, Review Magazine, November
ÊÊÊÊÊÊÊÊÊÊÊ 1995ÊÊÊÊ Tessera, ÒWriting NationsÓ, cover & feature, V.18, Summer
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Shawn Hill, ÒAt ArmÕs LengthÓ, Bay Windows, April 13
ÊÊÊÊÊÊÊÊÊÊÊ 1994ÊÊÊÊ Deborah Bright, ÒPhotography on the Front LinesÓ, Exposure, V.29,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Sue Canning, The New Art Examiner, Summer
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Ewa Lajer-Burcharth, ÒArt and Difference in Public SpaceÓ, Harvard Gazette, April 8
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Juli Carson, ÒLying to tell the truth, telling the truth to lieÓ, catalog essay, Gracie Mansion Gallery,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ February
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Elizabeth Mansfield, ÒPower, Pleasure, Pain: Contemporary Women Artists and the Female BodyÓ, catalog essay,
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Harvard University Art Museums, March
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Kim Levin, The Village Voice, March 29
ÊÊÊÊÊÊÊÊÊÊÊ 1993ÊÊÊÊ Phyllis Braff, The New York Times, August 1
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Hamish Buchanan, ÒElegant ExplosionÓ, Xtra Magazine, July 23
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Oliver Girling, ÒMad, Bad & DangerousÓ, Eye Magazine, July 29
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Juli Carson, ÒThe Auto-Erotic ObjectÓ, catalog essay, Hunter College,
ÊÊÊÊÊÊÊÊÊÊÊ 1992ÊÊÊÊ Kim Levin, ÒVoice ChoiceÓ, The Village Voice, October 20
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Roberta Smith, The New York Times, May 15
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Elizabeth Hess, ÒDirty LaundryÓ, The Village Voice, May 12
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Kim Levin, The Village Voice, May 12
ÊÊÊÊÊÊÊÊÊÊÊ TEACHING AND AWARDS
ÊÊÊÊÊÊÊÊÊÊÊ 2001- presentÊÊÊÊ Faculty, MFA-Photography, School of Visual Arts, NY
ÊÊÊÊÊÊÊÊÊÊÊ 2003- presentÊÊÊÊ Core Faculty, ICP/Bard MFA Advanced Photography Program, New York, NY
ÊÊÊÊÊÊÊÊÊÊÊ 2006- presentÊÊÊÊ Guest Faculty, MFA-Photography, Yale University, CT
ÊÊÊÊÊÊÊÊÊÊÊ 2005- presentÊÊ Faculty, Milton Avery Graduate School of the Arts, Bard, NY
ÊÊÊÊÊÊÊÊÊÊÊ 2005-06ÊÊÊÊÊÊÊÊ Guest Faculty, Advanced Photography, Cooper Union, NY
ÊÊÊÊÊÊÊÊÊÊÊ 2002ÊÊÊÊÊÊÊÊÊÊÊÊÊ Whitney Museum of American Art. ÔInitial Public Offerings,Õ
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Margaret Sundell and Nancy Davenport.
ÊÊÊÊÊÊÊÊÊÊÊ 1994ÊÊÊÊÊÊÊÊÊÊÊÊÊ CAA Annual Conference, Ewa Lajer-Burcharth presentation, Harvard University, Cambridge, MA
ÊÊÊÊÊÊÊÊÊÊÊ 2007ÊÊÊÊÊÊÊÊÊÊÊÊÊ Warhol Foundation Writers Grant, collaboration w/Tom McDonough
ÊÊÊÊÊÊÊÊÊÊÊ 2003ÊÊÊÊÊÊÊÊÊÊÊÊÊ Anonymous was a Woman Foundation Award
ÊÊÊÊÊÊÊÊÊÊÊ 1999ÊÊÊÊÊÊÊÊÊÊÊÊÊ Canada Council Visual Arts Grant
ÊÊÊÊÊÊÊÊÊÊÊ 1995ÊÊÊÊÊÊÊÊÊÊÊÊÊ Canada Council Visual Arts Grant
ÊÊÊÊÊÊÊÊÊÊÊ 1994ÊÊÊÊÊÊÊÊÊÊÊÊÊ Canada Council Short Term Grant
ÊÊÊÊÊÊÊÊÊÊÊ 1993ÊÊÊÊÊÊÊÊÊÊÊÊÊ Canada Council Short Term Grant